Banaue Stairway to the Sky 1975 free

Published on September 15, 2019 by 123movieswatch.club

Related Movie: Teribol Dobol 1975

Banaue Stairway to the Sky 1975 free

Banaue Stairway to the Sky 1975 free: Firstly, is a romance Philippines movie that talking about The Ifugao tribe’s quest for the promised land is paved with good intentions.

Banaue: Ipaghihiganti ko ang aking ama! Isumpa nawa ako ni Kabunian kung hindi ako magtagumpay na maibalik ang kanyang ulo!
Tagapagsalaysay: at nahulog ang puso ng bruhitang ito sa pumatay sa kanyang ama

Sana mas na-highlight pa ‘yung proseso ng pagbubuo ng rice terraces at ‘yung mga pagsubok ng komunal na pamumuhay kesa sa love triangle nina Sadek, Banaue, at Aruk. Pero kung talagang gustong love story ang core ng pelikula, baka mas naging maganda kung inistrukturang mala-epiko at nagkaroon ng mas maraming references kay Kabunian at sa mga katutubong ritwal.

Dagdag pa, hindi ako eksperto sa mga katutubong kultura sa Pilipinas pero hindi ba’t wala pang konsepto ng panggagahasa ang mga taga-Mountain Province noon? Hindi tuloy mapalagay ang loob ko dahil baka marami pang cultural inaccuracies ang pelikula.

Pero na-enjoy ko pa rin ito. Sana magkaroon na uli ng mga ganitong historical epics sa kontemporaryong sineng Pinoy.


Stairway to heaven

As individuals director Gerardo ‘Gerry’ de Leon and lead actress Nora Aunor couldn’t be more different. One was a respected lion of Philippine cinema whose career was on the wane; the other was the winner of a singing contest who parlayed her golden voice and morena good looks into a lightning strike of a multimedia pop phenomenon–countless gold singles, a long-running television variety show, over seventy movies in a mere eight years.

What Aunor didn’t have despite her meteoric rise was artistic respect, though she did get favorable notices and an acting nomination for her multiple-role performance in the omnibus film Fe, Esperanza, Caridad, the director of the final segment (Caridad) being de Leon.

Aunor reportedly liked the experience of working under him so much (the notices and award nomination didn’t hurt) she asked to work with him again, this time on a much more ambitious project–Banaue: Stairway to the Sky, an action-adventure epic set at the dawn of Philippine history and, with a budget estimated at 1.6 million pesos, arguably the biggest Filipino production ever up to that point. The film would prove to be the master’s last completed feature, an epic that I consider (despite its many flaws) badly underrated today, and in dire need of reappraisal.

Possibly Aunor didn’t quite know what she was doing (after over seventy features this was her first ever large-scale project) and gave de Leon free rein; he reciprocated by shooting much of the picture with colored gels framing the images, the blurry edges of the screen adding a level of stylization almost unforgivable in its strangeness (though it must be noted that when a contemporary young Turk like Carlos Reygadas does it the effect is considered brilliantly avant-garde).

There’s also something antediluvian about De Leon at this stage of his career, the maddeningly solemn way his characters often gaze offscreen, intoning their lines as if it were holy writ (by way of contrast, the slangy dialogue in Lamberto Avellana’s Esperanza portion of the aforementioned omnibus film sounds as current as ever). When you have fresh faces like Aunor’s Banawe, Christopher de Leon’s Sadek, and Johnny Delgado’s Pugnoy reciting what sounds like Old Testament text the disconnect is distracting, to put it mildly.

And yet the film remains compulsively watchable, in part because de Leon has lost none of his talent for visual majesty. The terraces are probably the most impressive achievement of pre-historic Filipinos, and as de Leon’s camera pans up and down their sinuous slopes one can’t help but look with awe (you need to ignore the travelogue-style narrator though, speaking in an irritatingly plummy American (presumably because they couldn’t afford someone British) accent).

Throughout the course of the two-hour plus film (my copy clocks in at a hundred and fifty-three minutes; not sure what the official runtime is, and IMDb is unhelpful) de Leon’s camera continues to give us glimpses of grandeur: a huge boulder tumbles down a slope towards the camera.

And as it crashes a wizened arm claws at the screen in agony (Sadek’s parents have just been crushed to death); heads loom out of one corner of the frame to counterbalance smaller noggins at the opposite corner–an oddly pleasing demonstration of visual asymmetry–and a charge of electricity crackles up your spine (“yes–He still has It”).

Banaue Stairway to the Sky 1975 free full movie online

Where grandeur fails, surrealist horror blooms. A patriarch is decapitated, and his head journeys from one tribe to another as macabre prize (we see the head pronged on split bamboo, slowly liquefying with the course of time); back home, the patriarch’s wife circles her husband’s seated, festering corpse as she prays for the head’s return (shades of Peckinpah’s Bring Me The Head of Alfredo Garcia, only on a relatively larger scale).

When battle breaks out (which it often does) de Leon shoots head-on, the fighting happening on different planes of action at once; when focused on one-on-one combat de Leon cuts and frames for maximum clarity (as in a dance sequence), the combatants showing a speed and physical prowess impossible to fake with digital enhancement, or unsteady camera, or ADHD editing. “Those are axes and spears and machete blades they are wielding” you find yourself thinking, “with nothing but loincloth and amulet to keep them from harm!”

Banaue would make a rousing war movie if Aunor’s Banawe didn’t raise the stakes to a whole other level. As de Leon (and writer Toto Belano) conceive her and Aunor incarnates her, Banawe might be the Philippines’ first proto-feminist–she’s no shrinking violet flinching in a corner as her lover Sadek is wounded and her father’s head carried away; she accuses Sadek of cowardice, then organizes a strike force of lightly armed women to attack the enemy camp, hopefully win her father’s head back. When one of the women complain that she doesn’t have any combat skills, Banawe responds: “Doesn’t take much skill to hold a man close, then stab him in the back!”

If Banawe reserves the right to fight for her father’s head, she also reserves the right to choose her lovers–Christopher de Leon’s Sadek is the obvious choice for mate (the actors married during the film’s production), only the two are separated early on; she meets the fierce Pugnoy, is unimpressed, meets Aruk (Ronaldo Valdez) who whips her–that gets her attention–only the joke is on Aruk, as he ultimately and hopelessly falls for Banawe (Aunor plays a variation of her celebrity persona, a woman irresistible to men–a persona not too far off from reality, as her complicated private life might suggest).

Gerardo de Leon (and Nora Aunor) might be pointing up one aspect of aboriginal culture, that marital fidelity is not a do-or-die proposition, for entertainment or even prurient purposes–but I don’t believe it. Banawe meets different men, but she’s sincere in her regard and affection for them; she loves them for their different virtues (and sometimes equally varied flaws), she values what they bring to her life.

If they hurt her or she hurts them or they hurt each other, it’s not deliberate but part of the course of life. I might go so far as to say Banawe is pretty sophisticated about her love life (reflecting the actress’ own), showing flexibility, maturity and restraint as needed (maybe not always, but when it counts). I suggest that de Leon (and Aunor) present this aspect of tribal society as an alternative to strict Christian monogamy (a monogamy practiced by many Christians.

I might note, more in the breach than observance); not that one should immediately set aside one’s wife (or husband) to love other women (or men), but that one should at least be aware that there are other ways of thinking about companionship than the black-and-white “till death do us part.”

It’s a complicated way to live; at one point a man, exasperated, cries out to Banawe: “Who do you love more–me or him?” and she replies: “you–him–but more than either, my people.” Banawe reserves the right to love not just any man but all men; reserves the right to transcend the merely sensual and strive for the wholly societal–a remarkably complex and thought-provoking thesis for what was supposed to be just another caveman drama, with a popular Filipina celebrity at its center.

A remarkable achievement in both performance and film production, by a young woman who at the time of the film’s release had not quite turned twenty-two. I imagine that if the real Banawe somehow crossed the thousand years separating her age and ours to watch this film, she’d wholeheartedly approve of what Aunor had done–not just established a long and fruitful career as daring film producer and even more amazing actress, but given an old master one last chance at creating a masterpiece.


with the clouds to meet the heavens” with the rice terraces as “the stairway to the sky”. First we take an air-conditioned bus from Manila to the town of Banaue, Ifugao.. Baguio Banaue Packages, Baguio Banaue Free and Easy Packages, Baguio. New York: Sex and the City movie locations. there you feel that you can almost touch the sky..

Banaue: Stairway to the Sky (1975) – IMDb Director: Gerardo de Leon. . Stairway Lodge Banaue Rice Terraces | Philippine Islands – Discover the beauty of. Got this in. Banaue: The town of Banaue, which lies just a day’s. Baguio Banaue Packages | Baguio Banaue Free and Easy Packages. Banaue Rice Terraces, Banaue: See 29 reviews. Banaue Rice Terraces – Banaue – Reviews of Banaue Rice Terraces. Baguio/Banaue – Welcome to the Philippine Tourism Promotions. Baguio & Banaue Towards the turn of the 20th century, the.

(For a more watchable movie filmed at and around the Banaue rice terraces, see Batad (2006)) Philippines: The stairway to heaven – Times Of India Philippines: The stairway to heaven. the world’s tallest building … we give you Banaue. Actors: Nora Aunor: Banaue · Christopher De Leon: Sadek · Gloria Sevilla: Agurang · Johnny Delgado: Pugnoy · Ronaldo Valdez: Aruk. if you visit the Philippines, do not pass up the opportunity to see the stairway to the sky


After a long search, Banaue (Nora Aunor) and her tribe make the mountains of the northern Philippines their new home. As they are toiling on the land they have claimed, trouble arises when another tribe tries to assert their right to the territory. This leads to a bloody battle and the death of most of the men in Banaue’s tribe.

Sickened by the cowardice of Sadek (Christopher de Leon), she leaves her wounded lover and gathers a few women from her tribe to seek revenge. She unfortunately falls captive to the merciless leader, Aruk (Ronaldo Valdez) and she unexpectedly finds herself falling for the man who is responsible for her father’s death. Smitten with Banaue, Aruk eventually lets her go, on the condition that she return. She is now made to face a decision that will affect her tribe and the two men she loves.

Banaue Stairway to the Sky 1975

Original Title: Banaue Stairway to the Sky 1975, Banaue 1975

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Directed by Gerardo de Leon … (as Gerry de Leon)
Writing Credits
Toto Belano … (story)
Gerardo de Leon … (screenplay) &
Toto Belano … (screenplay)
Carl Kuntze … (additional dialogue)

Production Companies NV Productions
Other Companies Ropers Studio (still photography)

Genre:  Drama, Romance
Country: Philippines
Language: Filipino, Tagalog
Length: 152 min
Release Date in Philippines: 18 April 1975
View: 100
ContentRating: G
Publish Date: 2019-09-15


Nora Aunor … Banaue
Christopher De Leon … Sadek
Gloria Sevilla … Agurang
Johnny Delgado … Pugnoy
Ronaldo Valdez … Aruk
Ben Perez … Lakdieb
Andres Centenera … Apo Banal
Francisco Cruz
Precy Marquez
Belen Velasco
Eddie Villamayor … Ato
Mercy Bartolome … Ayuhip
Linda Castro
Lope Policarpio
SOS Daredevils

Produced by
Nora Aunor … executive producer (as Nora Villamayor)

Music by
Tito Arevalo

Cinematography by
Fermin Pagsisihan

Film Editing by
Ben Barcelon

Art Direction by
Ben Otico

Set Decoration by
Eduardo Urbano

Costume Design by
Alfredo Alcala
Maricela Lopez
Sammy Meriz

Makeup Department
Gene Aquino … makeup artist
Tony Artieda … makeup artist
Totoy Cerna … makeup artist (as Totoy de la Serna)

Production Management
Felix Dionisio … in charge of production (as Felix B. Dionisio)

Sound Department
Tony Gosalvez … sound effects (as Tony Gozalvez)
Luis S. Reyes … sound (as Luis Reyes)
Ramon Reyes … sound

Special Effects by
Ben Otico … special effects

Visual Effects by
Baby Domer … title designer

Other crew
Ramon Obusan … choreographer (as Ramon A. Obusan) / traditional cultures consultant (as Ramon A. Obusan)

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